Project NameTypeYear⇅
Void Suave SP
plus Editing, Editorial, Motion 2018 Void sent fourteen photographers across São Paulo to document the city’s nightlife, from 6pm to 6am over the course of a week, for a project commissioned by Samsung through its agency. What began as a photography issue expanded into a magazine, film, motion graphics, and installation, with our work spanning photography, co-editing, film editing, and motion. The images were made without staging, and after the agency removed a significant part of the material, Void financed and published an uncensored edition. We later assembled the footage into a continuous passage from dusk to dawn and extended the film into a site-specific projection for the launch. Client: SamsungType: Editing, Editorial, Motion
CD: Void
Design: Gabriel Fuks, Quinta-feira
Year: 2018
Extática + Werner HerzogExtática + W. Herzog
ongoingplus Digital, Identity, Website 2026 In progress. Type: Digital, Identity, WebsiteYear: 2026
Malvinas: O Diário de uma GuerraMalvinas Doc
plus Broadcast, Motion 2024 Falklands Malvinas: A War Diary follows war journalist Ricardo Pereira as he returns to the diary of an Argentine soldier he found during the conflict and, in the final months of his life, attempts to find its author and return to the islands with him. We created the opening titles and motion graphics system, including intertitles, lower-thirds, editorial elements, and markers for place and time, using the diary as the basis for a hand-drawn visual language. Influenced by William Kentridge, the sequences were first built as collages in After Effects using footage and archival fragments, then redrawn frame by frame in Procreate to give the film a reflective, historical quality. Client: GloboplayType: Broadcast, Motion
Direction: Eugenia Moreyra
Production: Sofia Pereira
Edit: Dani Dantas
Design: Gabriel Fuks, Quinta-feira
Year: 2024
Museu da Justiça
plus CD, Exhibition, Identity 2025 The Museu da Justiça preserves the institutional memory of Rio de Janeiro’s judiciary inside the historic Palácio da Justiça, and its 2025 revitalization called for an identity that could make the institution more accessible without disconnecting it from its history. Rather than replacing the existing identity, we simplified its most recognizable element, an ornate wrought-iron arch, and made it the basis of a flexible system that frames images, becomes an architectural pattern, and identifies different programs. A Scala-based typographic system, a palette drawn from the building, and a clearer structure for titles, dates, captions, and wall texts completed an identity designed to make the museum easier to navigate and understand. Client: Museu da Justiça do RJType: CD, Exhibition, Identity
Coordination: Faro
CD, design: Gabriel Fuks, Quinta-feira
Year: 2025
Automatica
plus Website 2024 Since 2005, Automatica has developed exhibitions, educational programs, publications, and other cultural projects with artists, curators, and institutions, but after almost twenty years its work remained scattered across different formats and archives. We designed and built a website that brings this history together as both a public portfolio and an internal archive, using a modular identity and straightforward structure that lets visitors explore the work while allowing the team to search and filter its own projects. Built on a lightweight no-code platform, the site can continue to grow and be maintained internally over time. Client: AutomaticaType: Website
Design: Gabriel Fuks, Quinta-feira
Year: 2024
Faro
ongoingplus Identity, Website 2026 In progress. Client: FaroType: Identity, Website
Year: 2026
ZRZS SPRT
plus Editing, Motion 2025 Digital campaign for ZRZS SPRT, using rhythm, repetition and match cuts to shape the film. Close-ups and double exposure break up the sequence. Type: Editing, MotionCD: Pedro Perdigão, Guilherme Sá Freire
Edit: Gabriel Fuks
Sound: Marcelo Gerab (Bloco Studio)
Year: 2025
Portal de Algodões
plus Digital, Identity 2025 Portal de Algodões is a New Year’s festival held on Praia de Algodões in Maraú, Bahia, bringing together Brazilian and electronic music. We developed its visual identity and merchandise around this contrast, combining a reduced graphic language with imagery rooted in the tropical landscape to create a tension between the organic character of the location and the synthetic language of electronic music. Client: Portal de AlgodõesType: Digital, Identity
Design: Gabriel Fuks, Grave
Year: 2025
Logo Animations
plus Motion 2025 A selection of logo animations created for different identities and clients. Type: MotionYear: 2025
Redley Brand RefreshRedley Refresh
ongoingplus Motion 2026 Redley is a Brazilian footwear and streetwear brand associated with surf and skate culture since 1983, and its identity was refreshed for digital use across logo, colour, and typography. The wordmark retained its forward tilt but became heavier and more compact, with white letters enclosed by a thick black outline for greater definition at small sizes, while the brand’s yellow shifted toward a brighter, near-neon tone. Our contribution focused on presenting and activating the new identity through the case study and a series of logo animations for video, app loading states, and social media. Client: RedleyType: Motion
CD: Quinta-feira
Coordination: Vapor
Year: 2026
Iras Fajro Tour VisualsIras Fajro Visuals
plus Live Video, Motion 2019 Yamila is a Spanish cellist, singer, and producer whose album Iras Fajro, released on Forbidden Colours with contributions from Clark and Niño de Elche, moves between electronic rhythm, cello, and a fragile vocal presence. For the tour, we created a visual system from archival and natural footage, slowing, layering, and dissolving the images into one another while using grain and particle textures to evoke aged film. The sequences were then manipulated and retimed live in response to the music across a dual-screen projection. Client: YamilaType: Live Video, Motion
CD: Gabriel Fuks
Label: Forbidden Colours
Year: 2019
Climão bem Domply
plus Motion 2026 Motion poster for Climão bem Domply, a party whose visual language draws from the DIY graphics of late-1980s acid house culture. The design centres on two of its most recognizable elements, the smiley and the colour yellow, using their simplicity, repetition, and continuous movement to create an image that remains immediate at different scales while reflecting the collective and euphoric character of the reference. Client: Climão / DomplyType: Motion
Design: Gabriel Fuks
Year: 2026